Raymond Attfield, City Plan I (2015), twigs from various trees, wax, and stained particle board [Detail]

 
 

Raymond Attfield (b.1938) is both an architect and a musician. As well as running his own practice, he previously formed the Urban Architecture Research Unit at London’s Metropolitan University. His fascination with the relationship between urbanism and natural world began through this body of work. Produced over decades in the artist’s Provence studio, No 20 Arts is proud to share Attfield’s beautiful works to a wider audience.

Exhibited in Near and Elsewhere is ten years of creativity in which Attfield revisits fragments of ideas around this relationship. He does not seek to develop any kind of thesis but rather to work physically with his chosen raw materials until they become something else — an object whose physical presence has its own identity and meaning awaiting to be read and interpreted by its viewer’s subjective judgement.

He lets himself be guided by his chosen materials — their physical potential, and their cultural significance; tar relates to earth, wax and silicone to embalming, wood with life and growth.

Of his special relationship with trees, Attfield says:

“Trees have always fascinated me and commanded my respect. With their great life span, their age revealed in a cross-cut, or death expressed in a discarded or burnt fragment. Now that I’m 84, ageing is my preoccupation; time passing, growth and change, uniqueness, loss, eternity perhaps. Newness offers me little”.

 

Selected Works


 

Raymond Attfield

Archéologie I, 2012

Twigs, wax, tar and silicone

25 x 25 cm

Raymond Attfield

Archéologie II, 2012

Twigs, wax, tar and silicone

25 x 25 cm

Raymond Attfield

Archéologie III, 2012

Twigs, wax, tar and silicone

25 x 25 cm

Raymond Attfield

Archéologie IV, 2012

Twigs, wax, tar and silicone

25 x 25 cm

 
 

Raymond Attfield

Archéologie V, 2012

Twigs, wax, tar and silicone

25 x 25 cm

Raymond Attfield

Tribal I, 2013

Twigs, wax and tar

25 x 25 x 8 cm

Raymond Attfield

Tribal II, 2013

Twigs, wax and tar

25 x 25 x 8 cm

Raymond Attfield

Press, 2012

Hard wood frame, lightweight concrete and painted block

20 x 10 x 10 cm

 
 

Raymond Attfield

Forme jumelle, 2012

Hardwood Various

20 x 10 x 10 cm

Raymond Attfield

Forme jumelle II, 2012

Hardwood Various

20 x 10 x 10 cm

Raymond Attfield

Un Stère, 2017

Holm oak

10 x 10 x 10 cm

Raymond Attfield

Un Stère Conservé, 2017

Holm oak and silicone

10 x 10 x 10 cm

 
 

Raymond Attfield

Memento Mori

Natural twig, nails, wax, white paint and particle board base

11 x 12.5 x 12.5 cm

Raymond Attfield

City Plan I, 2015

Twigs from various trees, wax, and stained particle board

50 x 50 cm

Raymond Attfield

Archétypes Cloués I, 2018

C18 handmade nails on white painted particle board

12.50 x 12.50 cm

Raymond Attfield

Archétypes Cloués II, 2018

C18 handmade nails on white painted particle board

25 x 25 cm

 
 

Raymond Attfield

Archétypes Cloués III, 2018

C18 handmade nails on white painted particle board

25 x 25 cm

Raymond Attfield

Archétypes Cloués IV, 2018

C18 handmade nails on white painted particle board

25 x 25 cm

Raymond Attfield

Archétypes Cloués V, 2018

C18 handmade nails on white painted particle board

25 x 25 cm

Raymond Attfield

Archétypes Cloués VI, 2018

C18 handmade nails on white painted particle board

25 x 25 cm

 
 

Raymond Attfield

Archétypes Cloués VII, 2018

C18 handmade nails on white painted particle board

25 x 25 cm

Raymond Attfield

Archétypes Cloués VIII, 2018

Various ‘fixings’ on white wax board

25 x 25 cm

Raymond Attfield

Rainures Avec Croix, 2021

Grooves without plywood shards, wax and acrylic paint

25 x 25 cm

Raymond Attfield

Fragments Horizontaux, 2021

Grooves with the plywood shards, wax and acrylic paint

25 x 25 cm

 
 

Raymond Attfield

Fragments Verts, 2021

Grooves with plywood shards, wax and oil paint

25 x 25 cm

Raymond Attfield

Fragments Avec Espace Rouge, 2021

Grooves with plywood shards, wax and oil paint

12.5 x 12.5 cm

Raymond Attfield

Les Os, 2017

Pine and wax on particle board

25 x 25 cm

Raymond Attfield

Leurs Peaux, 2017

Pine bark and wax on particle board.

25 x 25 cm

 
 

Raymond Attfield

Fenêtres I , 2018

Particle board, tar, wax and acrylic paint

25x 25 cm

Raymond Attfield

Fenêtres II, 2018

Particle board, tar, wax and acrylic paint

25x 25 cm

Raymond Attfield

Fenêtres III

Particle board, tar, wax and acrylic paint

25x 25 cm

Raymond Attfield

Fenêtres IV, 2019

Particle board, tar, wax and acrylic paint

25x 25 cm

 
 

Raymond Attfield

Fenêtres V, 2019

Particle board, tar, wax and acrylic paint

12.5 x 12.5 cm

Raymond Attfield

Fenêtres VI, 2019

Particle board, tar, wax and acrylic paint

25x 25 cm

Raymond Attfield

Fenêtres VI - X Y, cardo decumanus

Particle board, tar, wax and acrylic paint

25x 25 cm

Raymond Attfield

Fenêtres VIII, 2022

Particle board, tar, wax and acrylic paint

25x 25 cm

 
 

Raymond Attfield

Fenêtres VIX, 2022

Particle board, tar, wax and acrylic paint

25x 25 cm

Raymond Attfield

Villes imaginaires-Rome II, 2022

Printed plans, tracing paper, oil and wax colour

25 x 25 cm

Raymond Attfield

Villes imaginaires-Rome III, 2022

Printed plans, tracing paper, oil and wax colour

25 x 25 cm

Raymond Attfield

Villes imaginaires-Rome IV, 2022

Printed plans, tracing paper, oil and wax colour

25 x 25 cm

 
 

Raymond Attfield

Villes imaginaires-Rome V, 2022

Printed plans on tracing paper, oil and wax colour, wax over layer

12.5 x 12.5 cm

Raymond Attfield

Villes imaginaires-Rome VI, 2022

Printed plans, tracing paper, oil and wax colour

12.5 x 12.5 cm

Raymond Attfield

Villes imaginaires-Rome VII, 2022

Printed plans, tracing paper, oil and wax colour

12.5 x 12.5 cm

Raymond Attfield

Villes imaginaires-Rome VIII, 2022

Printed plans, tracing paper, oil and wax colour

12.5 x 12.5 cm

 
 

Raymond Attfield

Villes imaginaires-Rome IX, 2022

Printed plans, tracing paper, oil and wax colour

12.5 x 12.5 cm

Raymond Attfield and Carl Greenwood

Peaux des arbres I, 2022

The bark of the trees in Arbres Civilisé, bedded in silicone, on particle board

103 x 13 cm

Raymond Attfield and Carl Greenwood

Peaux des arbres II, 2022

The bark of the trees in Arbres Civilisé, bedded in silicone, on particle board

103 x 13 cm

Raymond Attfield and Carl Greenwood

Arbres Civilisés I, 2022

Natural tree, silicone resin, base with faux grass

120 x 10 x 10 cm

 
 

Raymond Attfield and Carl Greenwood

Arbres Civilisés II, 2022

Natural tree, silicone resin, base with faux grass

120 x 10 x 10 cm

 
 

Video


 
 
 
 

Exhibition History

2023 - SPRING AGAIN, SPRING AHEAD’, No 20 Arts, London, UK

2022 - NEAR AND ELSEWHERE’, No 20 Arts, London, UK

 

Press Releases

SPRING AGAIN, SPRING AHEAD - Raymond Attfield, Helen Bur, Andrea Christodoulides, Nick de León, Jim Threapleton, Jukka Virkkunen

1 April - 27 May 2023

NEAR AND ELSEWHERE - Lucien Anderson, Raymond Attfield, Jo Dennis, Georg Wilson

9 September - 1 October 2022

Publications

SPRING AGAIN, SPRING AHEAD

Exhibition catalogue
22 pages - Fully illustrated in colour,
5.8 x 8.3 inches (14.8 x 21 cm)

NEAR AND ELSEWHERE

Exhibition catalogue
22 pages - Fully illustrated in colour,
5.8 x 8.3 inches (14.8 x 21 cm)

Please contact the gallery at info@no20arts.com to enquire about a paper copy of any of these catalogues.

 

Raymond Attfield, Villes imaginaires-Rome III (2022), printed plans on tracing paper, oil and wax colour [Detail]